Esphyr Slobodkina (Rus. 1908-2002) Levitator 1950 oil on masonite 25" x 35" Actually, most of Esphyr Slobodkina's paintings make me swoon. For mid-century abstracts, her paintings are geometric while still being loose and free. If you think of other geometric abstracts, say Mondrian's boxes, there is rigidity that cannot be loosened every by the addition of bright colors. Slobodkina's paintings feel more organic because of the use of muted colors and her creation of depth by layering shapes and colors is fantastic.
I love this particular piece for the strong diagonal lines. She uses an interesting trick here. T shapes usually imply stability, diagonals imply movement. Slobodkina takes a T shape and twists it into a diagonal so you have movement to each corner of the painting with a firmly anchored center.
